好书推荐 好书速递 排行榜 读书文摘

On Film-making

On Film-making
作者:Alexander Mackendrick
副标题:An Introduction to the Craft of the Director
出版社:Faber & Faber
出版年:2005-08
ISBN:9780571211258
行业:其它
浏览数:59

内容简介

A priceless examination of the filmmaker's craft, from the renowned director of "Sweet Smell of Success"

After more than twenty years in the film industry as a screenwriter, storyboard editor, and director of memorable films such as "The Ladykillers," Alexander Mackendrick turned his back on Hollywood and began a new career as the Dean of one of the country's most demanding and influential film schools. His absolute devotion to the craft of filmmaking served as a powerful impetus to students at the California Institute for the Arts for almost twenty five years, with a teaching style that included prodigious notes, neatly crafted storyboards, and handouts containing excerpts of works by Kierkegaard, Aristotle, and others. At the core of Mackendrick's lessons lay a deceptively simple goal: to teach aspiring filmmakers how to structure and write the stories they want to tell, while using the devices particular to the medium of film to tell their stories effectively.

In this impressive volume, edited by Paul Cronin, the myriad materials that made Mackendrick's reputation as an instructor are collected for the first time, offering a chance for professionals as well as students to discover a methodology of filmmaking that is challenging yet refreshing in its clarity. Meticulously illustrated and drawing on examples from such classic films as "North by Northwest," " Citizen Kane," and "Touch of Evil, " Mackendrick's elegant lessons are sure to provide inspiration for a new generation of filmmakers.

......(更多)

作者简介

亚历山大·麦肯德里克投身影业二十余载,曾担任《成功的滋味》、原版《贼博士》等经典影片的编剧、故事板编辑或导演。此后,他反出好莱坞,加入了美国要求最严格、影响力最大的电影学院之一的加利福尼亚艺术学院,在系主任的职位上开启了新的职业旅途。他对电影制作的全身心投入,以及他独特 的教学风格——大量的笔记、精心绘制的故事板和包含克尔凯郭尔、亚里士多德和其他经典节选的讲义,都成了学生进步的强大动力。然而,麦肯德里克课程的核心依然是那个看似简单的目标:向电影制作人传授架构和编写故事的技巧,并用电影媒介特有的工具把故事有效地呈现出来。

......(更多)

目录

......(更多)

读书文摘

如果一段对白的唯一目的是向观众,而非银幕上的角色提供背景信息(如有关画外角色或事件的对白),那么它必定很无趣。为什么?原因很简单。只有当对白传达的信息参与了制造矛盾张力、塑造角色的工作,或它揭示的内容所产生的银幕效果使我们观众感同身受,或它令某些角色做出了反应,并能推动叙事向前发展时,这些信息才是富有戏剧性的。

如果交锋场景只靠人物在这些节点上的碰撞,就可能失之单薄。我们在电视剧里看过太多类似的剧情:交锋双方咄咄逼人,可是这些人物缺乏情感深度或感情的多样性,没有情绪转换的潜力,人物个性也缺乏发展的空间。

......(更多)

猜你喜欢

点击查看