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Negara

Negara
作者:Clifford Geertz
副标题:The Theatre State In Nineteenth-Century Bali
出版社:Princeton University Press
出版年:1981-01
ISBN:9780691007786
行业:其它
浏览数:4

内容简介

Combining great learning, interpretative originality, analytical sensitivity, and a charismatic prose style, Clifford Geertz has produced a lasting body of work with influence throughout the humanities and social sciences, and remains the foremost anthropologist in America. His 1980 book "Negara" analyzed the social organization of Bali before it was colonized by the Dutch in 1906. Here Geertz applied his widely influential method of cultural interpretation to the myths, ceremonies, rituals, and symbols of a precolonial state. He found that the nineteenth-century Balinese state defied easy conceptualization by the familiar models of political theory and the standard Western approaches to understanding politics. Negara means "country" or "seat of political authority" in Indonesian.In Bali Geertz found negara to be a "theatre state," governed by rituals and symbols rather than by force. The Balinese state did not specialize in tyranny, conquest, or effective administration. Instead, it emphasized spectacle. The elaborate ceremonies and productions the state created were "not means to political ends: they were the ends themselves, they were what the state was for...Power served pomp, not pomp power. " Geertz argued more forcefully in Negara than in any of his other books for the fundamental importance of the culture of politics to a society. Much of Geertz's previous work - including his world-famous essay on the Balinese cockfight - can be seen as leading up to the full portrait of the "poetics of power" that Negara so vividly depicts.

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作者简介

Combining great learning, interpretative originality, analytical sensitivity, and a charismatic prose style, Clifford Geertz has produced a lasting body of work with influence throughout the humanities and social sciences, and remains the foremost anthropologist in America. His 1980 book Negara analyzed the social organization of Bali before it was colonized by the Dutch in 1906. Here Geertz applied his widely influential method of cultural interpretation to the myths, ceremonies, rituals, and symbols of a precolonial state. He found that the nineteenth-century Balinese state defied easy conceptualization by the familiar models of political theory and the standard Western approaches to understanding politics. Negara means "country" or "seat of political authority" in Indonesian. In Bali Geertz found negara to be a "theatre state," governed by rituals and symbols rather than by force. The Balinese state did not specialize in tyranny, conquest, or effective administration. Instead, it emphasized spectacle. The elaborate ceremonies and productions the state created were "not means to political ends: they were the ends themselves, they were what the state was for.... Power served pomp, not pomp power." Geertz argued more forcefully in Negara than in any of his other books for the fundamental importance of the culture of politics to a society. Much of Geertz's previous work--including his world-famous essay on the Balinese cockfight--can be seen as leading up to the full portrait of the "poetics of power" that Negara so vividly depicts.

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目录

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读书文摘

恰如诗歌,在一种宽泛的、制作(poiesis)的意义上,它是自为一体的,诗外别无他物,非要从中套取主旨义理,无疑是学究解诗;在状物言情之外寻得更多,并将丰满的具体意义简化为乏味的共性罗列。

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