When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I. M. Pei: Complete Works, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing. Often working in a spare geometry with a palette of stone, concrete, glass, and steel, Pei—who began his career pioneering public housing projects in New York City—has taken his vision of modern architecture across the globe with commissions in locations as diverse as Quatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C., have made him a household name in the United States.
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Philip Jodidio was the editor in chief of the French art journal Connaissance des Arts from 1980 to 2002. He is the author of more than fifteen books, including monographs on Tadao Ando, Norman Foster, and Richard Meier. Janet Adams Strong is an architecture historian who has taught at Brown University and Rhode Island School of Design. She was director of communications in I. M. Pei’s office for eighteen years. Carter Wiseman is the author of I. M. Pei: A Profile in American Architecture. He was New York Magazine’s architecture critic for sixteen years.
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贝先生用《桃花源记》将中日两国的文化和美学联系在一起。美秀美术馆位于自然保护区,大部分建筑位于山中,以植被覆盖。贝先生的设计理念在此以最完美的施工得以呈现。贝先生在美学上与小山母女有诸多的共鸣,她们成为他最满意的业主和挚友。在之后设计苏州博物馆期间,贝先生曾两次邀请小山女士到苏州老家,特邀她参加了2006年苏州博物馆的揭幕仪式。
建筑实际上是空间和造型。为 让空间和造型活起来,就必须有光线,而光线中是好的就是自然光。 在墙体和玻璃的组合中,把握二者间动态是很重要的,即要让光线在固体墙面上产生图案。
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