Martin Margiela, born in 1957 in Leuven, Belgium, is the principal designer of his own Paris-based fashion house.
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Graduating from Antwerp’s Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction—a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliquéd details—to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure. This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela’s garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.
The first book to document the work—from fashion and art to design and performance—of the Paris-based Belgian couturiere, one of the reigning luminaries of the current fashion scene.
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“对于艺术家而言,成功不就是表达能触动公众的表达吗?像许多创造性的想法一样,最重要或者说定义‘艺术’的不一定是原创性,而是手法和表达的纯粹度。”
马吉拉对视觉艺术的强烈兴趣也许来源于他意识到,时尚是被迫去不断适应打破限制的过程,同时也是被寄予希望去打破相同的限制。
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