The idea of a town must be strong enough to survive the inevitable chaotic overlay of urban experience, Joseph Rykwert asserts in this fundamental book on urban form. In his preface to this new edition he reviews the developments over the past thirty ears, in archeology, in historical and philological work, and in urban planning and architectural trends that make The Idea of a Town timely once again; a reminder that recognizable patterns and texture, public open space, and conspicuous institutions can enrich the late twentieth-century city which has become preoccupied with the isolated architectural object, with physical and market forces.<br /> <br /> Rykwert focuses on the Roman town as a work of art, a symbolic pattern deliberately created and enjoyed by its inhabitants - its shape and the structure of the spaces constructed on the basis of beliefs and rituals. His starting point is the ancient texts: mythical, historical, and ritual in which city-foundations are told and played out, and in particular the "Etruscan rite," a group of ceremonies which regulated the creation of practically all Roman towns.<br /> <br /> The principal institutions of the town, its walls and gates, its central shrines, and its public spaces, were all part of a pattern to which the myths which accompanied them provide clues. As in the other "closed" societies Rykwert investigates and compares throughout the book, these rituals and myths served to create a secure home for Roman citizens, placing them firmly in a knowable universe.<br /> <br /> Joseph Rykwert is Paul Philippe Cret Professor of Architecture at the University of Pennsylvania.
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该杂志的编辑Aldo van Eyck认为,这本书或许会成为建筑师们的备忘录,以提醒他们关注那些似乎已被遗忘了的东西,即城市不只是对生产、市场、交通和卫生问题的一种理性解决的答案——或者是对某些物质性和市场性动力的自动反应——还应该铭记人们的希望与恐惧。
(规划师会展示ppt来介绍各种城市综合体设计)人们通常很难针对这些佐证(指PPT)给予认同或者否定,因为规划师的语言中通常充满套话,这些套话不可避免地适于描述他们的规划,也适于描述他们所选用的例子。提出矛盾或争议通常被认为是不礼貌或者是恶意的。
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