During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequently, bold exploration was coupled with anxiety about the worth of these interests, especially given the Confucian biases against these pursuits.
Despite differences in each area, certain overarching themes surface repeatedly. Together, these interests and choices suggest a logic behind the new directions of literati culture in the Northern Song. By focusing on the "problem of beauty," the author calls attention to the difficulties that Northern Song innovators faced in justifying these new pursuits.
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Ronald C. Egan is Professor of Sinology in the Department of East Asian Languages and Cultures at Stanford University.
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在欧阳修之后继起的这一代人(米芾)身上,我们看到了其对艺术和艺术品收藏的新认识,他们不再纠结于审美价值和教化功能间的二元对立,而是将注意力转向了艺术之于收藏家个人精神和生命的意义,以及艺术所扮演的角色。
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