In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.
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Carver was born into a poverty-stricken family at the tail-end of the Depression. The son of a violent alcoholic, he married at 19, started a series of menial jobs and his own career of 'full-time drinking as a serious pursuit'. A career that would eventually kill him. Constantly struggling to support his wife and family Carver enrolled in a writing programme under author John Gardner in 1958 and he saw this as a turning point.
Rejecting the more experimental fiction of the 60s and 70s, he pioneered a precisionist realism reinventing the American short story during the eighties, heading the line of so-called 'dirty realists' or 'K-mart realists'. Set in trailer parks and shopping malls they are stories of banal lives that turn on a seeminlgy insignificant detail. Carver writes with meticulous economy suddenly bringing a life into focus in a similar way to the paintings of Edward Hopper. As well as a master of the short story he was an accomplished poet publishing several highly acclaimed volumes.
After the 'line of demarcation' in Carver's life - 2 June 1977, the day he stopped drinking - his stories become increasingly more redemptive and expansive. Alcohol had eventually shattered his health, his work and his family - his first marriage effectively ending in 1978. He finally married his long-term parter Tess Gallagher (they met ten years earlier at a writers' conference in Dallas) in Reno less than two months before he eventually lost his fight with cancer.
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Why Don’t You Dance?
Viewfinder
Mr. Coffee and Mr. Fixit
Gazebo
I Could See the Smallest Things
Sacks
The Bath
Tell the Women We’re Going
After the Denim
So Much Water So Close to Home
The Third Thing That Killed My Father Off
A Serious Talk
The Calm
Popular Mechanics
Everything Stuck to Him
What We Talk About When We Talk About Love
One More Thing
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你们在相遇之前也曾爱过别人……如果我们俩有谁出了事,我想另一个,另一个人会伤心一会儿,你们知道,但很快,或者的一方就会跑出去,继续再次恋爱……所有这些,所有这些我们谈论的爱情,只不过是一种记忆罢了。甚至可能连记忆都不是。
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