As recipient of the 1997 Pritzker Architecture Prize—the profession’s highest honor—Norwegian architect Sverre Fehn has had an impact not only in his home country but around the globe. His projects, often described as being instilled with a human quality, include the Norwegian Pavilion at the 1958 Brussels World Exhibition and the Nordic Pavilion at the 1962 Venice Biennale, the Hamar Bispegaard Museum in Hamar, the Glacier Museum in Fjaerland Fjord, and the Aukrust Museum in Alvdal.
Fehn has been strongly influenced by Scandinavia’s breathtaking landscape and light conditions. His design sensibility is characterized by a great respect for material and construction. As a professor of long standing at the Oslo School of Architecture and Design, he has distilled his complex creative process, passing his thoughts and philosophies to new generations of architects.
This study of Fehn’s work provides an intimate glimpse into the world of this great postwar modernist. Author Per Olaf Fjeld presents both biography and perceptive critique as he covers all of Fehn’s major projects, built and unbuilt, from world-renowned museums to lesser-known houses. Never-before-published comments by Fehn from lectures, interviews, and conversations with students as well as dynamic sketches are featured, opening a window into the mind of this poetic and personal architect.
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这些住家项目往往需要一个很长的过程,其中包括和业主的需求、愿望和内部的自然间的演绎,发现其中相互关联的比例关系和物理状态以来获得一种不可测量的尺度感。
这个简洁、开放但是又极具古典的平面从内部的结构中获得了开放,它并不只是被小心地放置在了场地中,而是超越了场地:片状的屋顶被自然的物件所分离。
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