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Listening to Music

Listening to Music
作者:Craig Wright
出版社:Schirmer
出版年:2010-03
ISBN:9781439083451
行业:其它
浏览数:135

内容简介

The only music appreciation text on the market to include listening exercises throughout the book, LISTENING TO MUSIC, Sixth Edition, masterfully develops and refines your listening skills. Acclaimed for unparalleled clarity and accuracy, using Wright will help you study efficiently, do well on your tests and quizzes, and learn to enjoy many kinds of music. Wright covers traditional Western music from medieval to modern as well as popular music and its impact on musical globalization, and music from the Far East, the Near East and Africa, the Caribbean, and Latin America, drawing comparisons between Western and non-Western musical cultures. Learning to listen critically is at the heart of a music appreciation course, and Wright gives you the tools to develop and sharpen your listening skills in three important ways: First, Listening to Music is the only text to include detailed Listening Exercises throughout the book. These exercises, which ask questions just like the ones your instructor is likely to ask in quizzes, will help you focus on important musical elements and episodes and do well in the course. Second, a free "Introduction to Listening" CD is packaged with each copy of the text. This CD plays all of the music discussed in the music fundamentals chapters in Part I of the text to help you get a good start in the first few weeks of class. Third, interactive Active Listening Guides and listening quizzes, with streaming music for most of the selections in the text, are available on the Schirmer Cengage Learning website and multimedia eBook.

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听音乐音乐欣赏教程(附光盘1张)

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作者简介

作者:(美国)克雷格•莱特 (Craig Wright)

克雷格•莱特 (Craig Wright),1966年获伊斯曼音乐学校音乐学士,1972年获哈佛大学哲学博士,耶鲁大学音乐系教授,在该校任教已三十余年。他写有大量的学术专著和文章,内容涉及从雷奥南到巴赫的许多作曲家。他也是很多奖项的得主,包括古根海姆奖学金,美国音乐学协会的“爱因斯坦和金科迪奖”,以及国际音乐学协会的登特勋章。2004年,他被授予芝加哥大学人文学科名誉博士学位。他还与布莱因•希姆斯合著了《西方文明中的音乐》一书(汤姆森•希尔默出版公司,2006)。

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目录

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读书文摘

旋律为音乐提供了一种抒情的声音,节奏给这种声音以活力,而和声则为之增加了深度和丰富性,就像绘画中的透视深度为这种艺术增添了丰富的背景那样。尽管旋律能够自身独立存在,但大多数的旋律经常需要和声这种使之丰富的伴奏来支持。旋律和和声优雅地结合在一起,一 个在上方承载着中心的乐思,另一个在下方支撑着它。

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