"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
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马泰·卡林内斯库(Matei Calinescu),美国印第安纳大学比较文学教授。著有《文学与政治》(1982)、《现代主义与意识形态》(1986)等。
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构成媚俗艺术本质的也许是它的无限不确定性,它的模糊的“致幻”力量,它的虚无缥缈的梦境,以及它的轻松“净化”的承诺。
媚俗艺术才可以被定义为一种有计划、有意识地逃避日常现实的努力:在时间上逃避(逃入个人的从前,就像对纪念品的庸俗崇拜所表明的那样;逃入“历史牧歌”;通过科幻小说的老套逃入一个冒险的未来等等);在空间上逃避(逃入极其多样的想像中的异邦)。
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