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The Sublime Figure of History

The Sublime Figure of History
作者:Ban Wang
副标题:Aesthetics and Politics in Twentieth-Century China
出版社:Stanford University Press
出版年:1997-06
ISBN:9780804728461
行业:其它
浏览数:36

内容简介

TThrough a comparative analysis of diverse texts and contexts, this book offers a cultural history of the interplay between the aesthetic and the political in the formation of personal and collective identity that crystallizes into the Chinese aesthetic of the sublime.

It describes how various kinds of politics are aestheticized and how aesthetic manifestations are bound up with prevalent ideologies and politics. In this book, politics refers to various projects for fashioning a viable self, a workable personal and collective identity in the crisis-ridden history of modern China. These projects include imagining a political subject adapted to the modern nation-state, mobilizing revolutionary masses as subjects of the Communist state, sustaining a unified self despite the challenges to traditional culture, erecting the sublime figure of the revolutionary hero, and, finally, debunking the grand images of the hero and history in post-Mao culture. Throughout, the author seeks to delineate the ways the political masquerades as aesthetic discourse and aesthetic experience.

Covering a wide range of material from fiction, poetry, aesthetics, and political discourse to memoirs, film, and historical documents, the book reconsiders a number of prominent cultural figures, including Wang Guowei, Cai Yuanpei, Lu Xun, Eileen Chang, Mao Zedong, Zhu Guangqian, and Li Zehou. It also analyzes such important cultural features and events as Western influences on the formation of modern Chinese aesthetic discourse, modernist writings, Revolutionary Cinema, the Cultural Revolution, and New Wave Fiction.

An East-West comparative approach informs the analysis, which engages in dialogue with Kant, Hegel, Freud, Marx, and Walter Benjamin, as well as Terry Eagleton and other contemporary critics. The author's interdisciplinary method, which emphasizes the interaction among text, context, and the psyche, both presents new materials and illuminates familiar texts and phenomena from the perspective of the political-aesthetic nexus.

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作者简介

王斑,福建厦门人,1988年赴美留学。1993年获加州大学洛杉矶分校比较文学博士学位。先后任教于纽约州立大学、新泽西罗格斯大学,现为美国斯坦福大学东亚系教授。学术写作涉及文学、美学、历史、国际政治、电影及大众文化。主要著作《历史与记忆——全球现代性的质疑》(香港:牛津大学出版社,2004),《全球化阴影下的历史与记忆》(南京大学出版社,2006)。与Ann Kaplan合编Trauma and Cinema(Hong Kong University Press,2003),与张旭东合译本雅明的《启迪》(香港:牛津大学出版社,1998)等。1997与2001年两次获美国人文基金学术研究奖励。

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目录

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读书文摘

国庆献礼片让人想起那再为熟悉不过的电影行业与政治千丝万缕的联系。二十世纪,凡是中央集权的政府无一例外地对电影制作颇感兴趣,这一点是司空见惯的。苏联成立后两天,即在国家教育委员会内设立了一个专门机构来主管电影事业。

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