Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.
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是什么构成了画作中的这些多样性效果呢?眼睛沿着作品中某个要素的运作方向(direction)观画。这保持一种视觉印象,这一印象将与另一个要素运作方向所带来的印象发生冲突(collides)。这些方向间的冲突构成了画作的多样性效果,而这一效果帮助了观者对于全局的理解。
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