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The Artist's Reality

The Artist's Reality
作者:Mark Rothko
副标题:Philosophies of Art
出版社:Yale University Press
出版年:2006-03
ISBN:9780300115857
行业:其它
浏览数:54

内容简介

One of the most important artists of the twentieth century, Mark Rothko (1903-1970) created a new and impassioned form of abstract painting over the course of his career. Rothko also wrote a number of essays and critical reviews during his lifetime, adding his thoughtful, intelligent, and opinionated voice to the debates of the contemporary art world. Although the artist never published a book of his varied and complex views, his heirs indicate that he occasionally spoke of the existence of such a manuscript to friends and colleagues. Stored in a New York City warehouse since the artist's death more than thirty years ago, this extraordinary manuscript, titled "The Artist's Reality", is now being published for the first time. Probably written around 1940-41, this revelatory book discusses Rothko's ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of 'American art', and much more. "The Artist's Reality" also includes an introduction by Christopher Rothko, the artist's son, who describes the discovery of the manuscript and the complicated and fascinating process of bringing the manuscript to publication. The introduction is illustrated with a small selection of relevant examples of the artist's own work as well as with reproductions of pages from the actual manuscript. "The Artist's Reality" will be a classic text for years to come, offering insight into both the work and the artistic philosophies of this great painter.

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作者简介

马克·罗思科(1903—1970)美国画家,著名的抽象主义大师,20世纪最重要的艺术家之一。他的作品是对色彩、形状、平衡、深度、构成、尺度等形式因素的关注。他在自己的事业生涯中创造了一种新奇而沉静、简约而感人、大器而激情饱满的抽象派绘画形式,达到了视觉和精神的宏伟境界,他的绘画作品蕴涵的思想信念与哲学意蕴,正是美国当代艺术主流所匮缺的,因此而显现出独特的精神魅力。罗思科可说是自学成才的,他对哲学和心理学有浓厚兴趣,这喜好启发他阅读大量有关神话和精神分析的书籍,加上一生热衷戏剧和音乐,皆为他带来不少创作灵感。在不停的思考和探索中,他成了一位思想者。

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目录

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读书文摘

罗斯科重新定义形式、空间、美、抽象、神话等观念,他认为绘画像音乐与诗歌一样,拥有着相同水准的强度和情感。因此,他重申“诗同画( ut pictura poesis)”的灵感基础,认为自文艺复兴时期便开启了伟大绘画的先河。在此意义上,其著作《艺术家的真实》亦可被视为“最后一位古老大师”的作品。

这一点很奇怪,而艺术家们却从来不会为失去多数人珍视的品质而大惊小怪:知性、良好的判断、对世界的了解和有理性的行为。在某种意义上可以说,艺术家自己助长了这种神话的产生。

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