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作者:Lea Ypi
副标题:A Child and a Country at the End of History
出版社:W. W. Norton & Company
出版年:2022-01
ISBN:9780393867732
行业:其它
浏览数:94

内容简介

Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction

A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans.

For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests.

Communism had failed to deliver the promised utopia. One’s “biography”―class status and other associations long in the past―put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking.

With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort―here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

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读书文摘

I don't know why people always try to convince me that a new year will bring a new life. Even the tree lights are recycled. Even the fireworks are the same as the year before.

充裕的信息想要变成免费,而稀缺的信息想要变得昂贵。

在20世纪“免费”是一种强有力的推销手段,而在21世纪它已经成为一种全新的经济模式:以电脑字节为基础的经济学,

You see?” She turned to me with a melancholic half-smile. “Dafne always dried my tears. She still does.

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