Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler's edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners' complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners-"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.
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James Joyce, Irish novelist, noted for his experimental use of language in such works as Ulysses (1922) and Finnegans Wake (1939). Joyce's technical innovations in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels drawn from the mythology, history, and literature, and created a unique language of invented words, puns, and allusions.
James Joyce was born in Dublin, on February 2, 1882, as the son of John Stanislaus Joyce, an impoverished gentleman, who had failed in a distillery business and tried all kinds of professions, including politics and tax collecting. Joyce's mother, Mary Jane Murray, was ten years younger than her husband. She was an accomplished pianist, whose life was dominated by the Roman Catholic Church. In spite of their poverty, the family struggled to maintain a solid middle-class facade.
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CONTENTS
Preface
Introduction (by Hans Walter Gabler)
Symbols and Sigla
THE TEXT OF DUBLINERS
The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Litle Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committe Room
A Mother
Grace
The Dead
CONTEXTS
CRITICISM
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抬头向黑暗中凝视,我看见自己成了一个被虚荣心驱使和嘲弄的动物;于是我的双眼燃烧起痛苦和愤怒。
男人与男人之间不可能有爱情,因为他们不可能进行性交;男人与女人之间不可能有友谊,因为他们一定会进行性交。
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