A Companion to Art Theory

Preface.

Part I: Tradition and the Academy:.

Introduction: Alberti and the Formation of Modern Art Theory (Carolyn Wilde).

1. The Classical Concept of Mimesis: Göran Sörbom (University of Uppsala).

2. Medieval Art Theory: Hugh Bredin (The Queen's University of Belfast).

3. Neoplatonist Aesthetics: Suzanne Stern-Gillet (Bolton Institute).

4. Renaissance Art Theories: François Quiviger(Warburg Institute).

5. Touch, Tactility, and the Reception of Sculpture in Early Modern Italy: Geraldine Johnson (Harvard Center for Italian Renaissance Studies).

6. The Spiritual Exercises of Leonardo Da Vinci: Robert Williams (University of California, Santa Barbara).

7. Academic Theory 1550-1800: Paul Duro(University of Rochester).

8. Rhetorical Categories of the Academy: Caroline van Eck(Free University).

9. The Picturesque and its Development: Andrew Ballantyne(University of Bath).

Part II: Around Modernism:.

10. The Aesthetics of Kant and Hegel: Jason Gaiger(The Open University)..

11. E.H. Gombrich and the Tradition of Hegel : David Summers.

12. German Romanticism and French Aesthetic Theory : Wendy Mercer(University College London).

13. Expression: Natural, Personal, Pictorial: Richard Shiff (University of Austin at Texas).

14. Reading Artists' Words: Richard Hobbs (University of Bristol).

15. Nietzsche and the Artist: Michael White (University of Bristol).

16. Wittgenstein, Description, and Adrian Stokes (on Cézanne): Paul Smith(University of Bristol).

17. Modernism and the Idea of the Avant-Garde : Paul Wood (The Open University).

18. On the Intention of Modern(ist) Art: Fred Orton (University of Leeds).

19. Anti-Art and the Concept of Art: Paul Humble (University of Central Lancashire).

20. Marcel Duchamp's Readymades and Anti-Aesthetic Reflex: David Hopkins(University of Saint Andrews).

Part III: Critical Theory and Postmodernism:.

21. Marxism and Critical Art History: David Craven.

22. Walter Benjamin and Art Theory: Howard Caygill(Goldsmiths College).

23. Bakhtin and the Visual Arts: Deborah Haynes(Montana State University).

24. Pierce's Visuality and the Semiotics of Art: Michael Leja(School of Architecture & Planning).

25. Conceptual Art: Charles Harrison (The Open University).

26. Barthes on Art: Margaret Iversen (University of Essex).

27. Foucault and Art: Roy Boyne(University of Durham).

28. Derrida and the Parergon: Robin Marriner (Bath Spa University College).

29. Lyotard's Concept of the Sublime: René van de Vall (Maastricht University).

30. Deleuze on Francis Bacon: Ian Heywood (Leeds Metropolitan University).

31. Feminisms and Art Theory: Marsha Meskimmon (University of Loughborough).

32. Psycho-Phallus (Qu'est-ce que c'est?): Mignon Nixon (Courtauld Institute of Art).

Part IV: Interpretation and the Institution of Art:.

33. The Rules of Representation: John Willats.

34. Gombrich and Psychology: Richard Woodfield(Nottingham Trent University).

35. Hermeneutics and Art Theory: Nick Davey (University of Dundee).

36. Reciprocity and Reception Theory: Michael Anne Holly (Center for Advanced Study in the Visual Arts).

37. The Paradox of Creative Interpretation in Art: Carl Hausman (Penn State University).

38. Interdiscipliniarity and Visual Culture: Charlotte Klonk (University of Warwick).

39. Against Curatorial Imperalism: Paul Crowther (University of Oxford).

40. The Institutional Theory of Art: Theory and Anti-Theory: Garry Hagberg (Bard University).

Index.

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