Drawing together many histories-of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores-Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most significant walkers in history and fiction-from Wordsworth to Gary Snyder, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja-finding a profound relationship between walking and thinking and walking and culture. Solnit argues for the necessity of preserving the time and space in which to walk in our ever more car-dependent and accelerated world.
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丽贝卡•索尔尼
现居旧金山。
多年来她为杂志及包括纽约惠特尼美术馆及丹佛美术馆在内的美术馆,撰写过不少关于视觉艺术、公共空间,景观、环境等议题的文章。
除本书外,索尔尼著有《移栖之书》、《荒野之梦》等多部作品。2010年被 “Utne Reader”杂志评为“25位改变你人生的人”之一。
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走路最理想的状态,就是一种将心理、生理与世界熔铸于一炉的状态,仿佛三者终于有了对话的机会,亦仿佛三个音符突然结合成了一个和弦。走路使我们能存在于我们的身体与世界中,却不会被身体与世界弄得疲于奔命,使我们可以独立思考,却不会全然迷失于思绪中。
走路使我们能存在于我们的身体与世界中,却不会被身体与世界弄得疲于奔命,使我们可以独立思考,却不会全然迷失于思绪中。
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