In this unprecedented, all-encompassing, and thoroughly entertaining account of the movie business, acclaimed writer Edward Jay Epstein reveals the real magic behind moviemaking: how the studios make their money.
Epstein shows that in Hollywood, the only art that matters is the art of the deal: Major films turn huge profits not from the movies themselves but through myriad other enterprises, from video-game spin-offs and soundtracks to fast-food tie-ins, and even theme-park rides. The studios may compete for stars and Oscars, but their corporate parents view wth one another in less glamorous markets such as cable, home video, and pay-TV.
Money, though, is only a small part of the Hollywood story; the social and political milieus–power, prestige, and status–tell the rest. Alongside its remarkable financial revelations and incisive profiles of the pioneers who helped build Hollywood, The Big Picture is filled with eye-opening insider stories. If you are interested in Hollywood today and the complex and fascinating way it has evolved in order to survive, you haven’ t seen the big picture until you’ve read The Big Picture .
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爱德华·杰·艾普斯坦(Edward Jay Epstein,1935— ),于康乃尔大学和哈佛大学攻读政治学,1973年取得哈佛大学博士学位,其硕士论文以追寻政治真相为题材(Inquest:The Warren Commission and the Establishment of Truth),博士论文以电视新闻为题材(Neus from Nowhere),两篇论文皆已出版成书。爱德华原本在MIT和UCLA教授政治学,后来觉得写书的教化功能更强而专事写作。现居美国纽约市。
译者简介
宋伟航,台大历史系、台大历史研究所中国艺术史组毕业。曾任出版编辑,现专事翻译。译有《我的动物天堂》《补缀的星球》《人类大世纪》《重拾山居岁月》《灵魂考》《酷男的异想世界》《丘吉尔:乐在危险的人生》《我在DK的出版岁月》《秃鹰律师》《无辜主人》《帮凶律师》等书。
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艾伦J帕库拉透露当年梅丽尔斯特里普是双膝跪地苦苦求他把《苏菲的抉择》里的苏菲一角给她。他便要求斯特里普只吃流质,节食瘦身,矫正牙齿戴假发,学德语。
我们的结论是,对各种事物的正确理解——诚实面对自身和他人,直面十诫并实际用自己的眼睛观察——这并非自然而然,而是需要不少的努力。当我们希望某件事正确的时候,当有一个信念让我们快乐时——我们就是应该在这种时候去质疑。错觉可能令人愉悦,但真理的回报则丰厚很多。
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