'It's easy to feel insecure around art and its appreciation, as though we cannot enjoy certain artworks if we don't have a lot of academic and historical knowledge. But if there's one message that I want you to take away it's that anybody can enjoy art and anybody can have a life in the arts - even me! For even I, an Essex transvestite potter, have been let in by the artworld mafia.'
Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book 'Playing to the Gallery' and not 'Sucking up to an Academic Elite'.) Based on his hugely popular Reith Lectures and full of words and pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask. Questions such as:
What is 'good' or 'bad' art - and does it even matter? Is there any way to test if something is art, other than a large group of people standing around looking at it? Is art still capable of shocking us or have we seen it all before? Can you be a 'lovable character' and a serious artist - what is a serious artist anyway? And what happens if you place a piece of art in a rubbish dump?
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格雷森·佩里(Grayson Perry)
伦敦艺术大学校长。
英国备受欢迎的当代艺术家、陶艺家,在全世界各地举办过大型个展。
2003年获得英国当代视觉艺术大奖“特纳奖”。
2008年获选“英国文化百位权威人士”(第32位)。
2011年当选英国皇家艺术学院皇家院士。
2013年,他在BBC年度特别节目“里斯讲座”开讲,是该节目开播六十五年以来第一位艺术家。
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可能会使用一些诸如「美」这样的词汇。可现在如今,假如你要在艺术圈里使用这种词,可要小心了。很可能有人会咂巴着嘴悲哀地摇头,因为他们的英雄艺术家马塞尔·杜尚说过「审美愉悦是一种应该避免的危险」。如今判断一件作品的美学价值的标准,已经掺杂了一些保守的、不可信的等级观念,还受性别歧视、种族主义、殖民主义、阶级特权等影响。
普鲁斯特说,「只有透过华丽的金色画框,我们才能看到美。」他的意思是,我们对「美」的想法完全是有条件的:我们定义美的时候并不是追求美的内在,而只是习惯于通过曝光与强调做出判断。美更大程度是一种熟悉度,是对我们已有观念的强化。它是一个构建在层层变化之上的东西。
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